Always Been Mine (The Moreno Brothers, Book 2) by Elizabeth Reyes

By Elizabeth Reyes

After one heartache too many, Valerie Zuniga vows to by no means permit Alex Moreno damage her back. A yr later, she is compelled to reunite with him at a celebration the place one unforeseen scorching kiss tells her she’s faraway from over him. No means will she permit herself to get sucked again into that torment. She’ll face up to him whether that suggests utilizing the only factor that’ll cease Alex lifeless in his tracks: one other guy. Alex is coming off one of many worst years of his lifestyles. He spent quite a bit time wallowing in self-pity, he by no means discovered how a lot he’d overlooked Valerie. that's, till that kiss. Now, he’s made up our minds to get her again a technique or one other, and no different guy will stand in his approach. specially after researching that Valerie will be at risk, a possibility he blames himself for.

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Extra info for Always Been Mine (The Moreno Brothers, Book 2)

Example text

By then he drags one foot slightly when he walks. An old football injury. Volner has large tombstone teeth, and thin­ ning, reddish hair streaked with a little gray. His shoulders are rounded and he has a lumbering gait. He has a few scars on his face, debris left over from a few barroom brawls and his high school days playing football. So far, then, we have a brief sketch of his physiology. Let's take a look at his sociological dimension, his back­ ground. Let's say he grew up in a suburb of Cleveland, Ohio.

O f course we will need to have a hero/detective who will solve the crime and bring the murderer to justice. The hero/detective is the most important character when it comes to actually writing the story, but when plotting the plot behind the plot, the murderer is the one who counts. We'll be deciding who we're going to have for a hero and for suspects and all the other assorted characters after we know the plot behind the plot. Much of the plot behind the plot may happen before the "point of attack," the moment the story begins from the reader's point of view.

Let's take a look at his sociological dimension, his back­ ground. Let's say he grew up in a suburb of Cleveland, Ohio. His father was a welder and his mother, a bookkeeper. He had no siblings. His mother and father did not get along. His Creating a Murderer father drank and his mother had a series of boyfriends she met in her church group or in the choir where she sang sec­ ond soprano. A seductive woman, she got a kick out of seducing churchgoers. She finally seduced the pastor and ran off with him when Forest was thirteen.

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