An Episode in the Life of a Landscape Painter (New by César Aira

By César Aira

An unbelievable novel from Argentina that may be a meditation at the appealing and the ugly in nature, the paintings of panorama portray, and one event in a man's lifestyles that turned a lightning rod for inspiration.

An Episode within the lifetime of a panorama Painter is the tale of a second within the lifetime of the German artist Johan Moritz Rugendas (1802-1858). tremendously famous as a grasp panorama painter, he was once steered through Alexander von Humboldt to shuttle West from Europe to list the brilliant landscapes of Chile, Argentina, and Mexico. Rugendas did in reality develop into the best of the nineteenth-century eu painters to enterprise into Latin the United States. in spite of the fact that this isn't a biography of Rugendas. This paintings of fiction weaves a virtually surreal heritage round the mystery target in the back of Rugendas' journeys to the United States: to go to Argentina with a view to in achieving in paintings the "physiognomic totality" of von Humboldt's clinical imaginative and prescient of the total. Rugendas is confident that basically within the mysterious vastness of the large plains will he locate precise idea. a short and dramatic stopover at to Mendosa offers him the opportunity to satisfy his dream. From there he travels immediately out onto the pampas, praying for that very unlikely second, which might come simply at a major pricean virtually monstrously exorbitant rate that will eventually problem his drawing and strength him to create a brand new manner of constructing paintings. an odd episode that he couldn't steer clear of soaking up savagely into his personal physique interrupts the journey and irreversibly and explosively marks him for all times.

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Additional info for An Episode in the Life of a Landscape Painter (New Directions Paperbook)

Sample text

Twice he crossed the threshold: in 1837, he came over the Andes from Chile, and in 1847, he approached from the east, via the Rio de la Plata. The second expedition was the more productive, but did not take him beyond the environs of Buenos Aires; on his first journey, however, he ventured towards the dreamed-of center and in fact reached it momentarily, although, as we shall see, the price he had to pay was exorbitant. Rugendas was a genre painter. His genre was the physiognomy of nature, based on a procedure invented by Humboldt.

Rugendas discussed this point at length with Krause later on, as they smoked their cigars under the starry sky. After all, he had no good reason to doubt the guide. If the pampas existed (and there was no good reason to doubt that either), they lay some distance ahead. After three weeks of assimilating a vast, featureless plain, to be told of a more radical flatness was a challenge to the imagination. " For them, it was like a well-polished table, a calm lake, a sheet of earth stretched tight. But with a little mental effort, now that they had been alerted, they saw that it might not be so.

The circumstances were abnormal in the extreme. The horse was spinning around on its side like a crab, cells of fire exploding around it in thousands, forming a sort of full-body halo, which moved with the animal and did not seem to be affecting it. Did they cry out, the man and his horse? The shock had probably struck them dumb; in any case their cries would have been inaudible. The fallen horseman reached for the ground with his hands, trying to prop himself up. But there was too much static for him to touch anything.

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